A Boy and His Dog (L.Q. Jones, 1975). There are certain kinds of counterculture-era cult films that haven’t aged especially well, although the longer this post-apocalyptic black comedy goes on, the more it justifies its existence. Seeing it again for the first time in over 30 years, I think you had to be there. Don Johnson was still in his unformed stage at that point.
At What a Feeling!, I reprint my 1989 review of Licence to Kill, which was the end of the 007 run for Timothy Dalton, and a film notable for including Wayne Newton, David Hedison, and Benicio Del Toro in its cast.
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