J. Cameron-Smith, Anna Paquin: mourning Margaret

Links to reviews I wrote for the Herald, and etc.

Margaret. “A remarkable film.”

The Grey. “Begins like just another testosterone-filled hunk of implausibility and somehow finds its way toward, well, if not existential resonance, at least major coolness. Maybe both.”

Man on a Ledge. “Increasingly hard to believe.”

Albert Nobbs. “Scaled at just the right size.”

On KUOW’s “Weekday,” I talk briefly with Steve Scher about Margaret and its Oscar shutout, then about other mistakes the Academy voters made. It’s archived here; the movie part rolls out at the 18:50 mark.

At What a Feeling!, the 1980s callback is for Tim Burton’s Beetlejuice.

Sunday afternoon, I introduce a DVD screening of Victor Erice’s Quince Tree Sun at the Frye Art Museum at 2 p.m.; the event is free (and re-scheduled from a snow day a couple of weeks ago).

Tuesday night, I’ll bring “Alien Encounters: Sci-Fi Movies and the Cold War Culture of the 1950s” to Horizon House in Seattle at 7 p.m. This is a free talk through the Humanities Washington Speakers Bureau. More info here.

At What a Feeling!, a fave Eighties picture is recalled, Alan Rudolph’s The Moderns, which was something of a Midnight in Paris with a shake of bitters added.

At What a Feeling!, I tried to find my review of Landscape in the Mist, the 1988 masterpiece by Theo Angelopoulos, who died earlier this week after being struck by a motorcyclist. Couldn’t find it. Will keep looking. In the meantime, the vintage reviews include the lighter fare of the ten-director omnibus picture Aria,  and George Roy Hill’s Funny Farm.

Coriolanus (Ralph Fiennes, 2011). Shakespeare’s plays have a way of resurfacing when they’re needed, and Mr. Fiennes is very wise to tap this one for our moment (somebody should’ve gotten a movie done of Troilus and Cressida ’round about 2003 or so – that one was dying to be heard right then). Lots of actor’s close-ups, as you might expect, although Vanessa Redgrave demonstrates how certain actors can dominate from any distance. (full review 2/3)

The Narrow Margin (Richard Fleischer, 1951). This movie never gets tired. So much ingenuity, on many different fronts. And you’d think that nobody could find a new way to shoot on and around a train, but Fleischer does.

Unknown Pleasures (Jia Zhangke, 2002). Prepping here for an upcoming talk at the Frye, and catching up with a movie that I missed the first time around. Watching this movie, you could be forgiven for thinking the apocalypse had already happened.

We Need to Talk About Kevin (Lynne Ramsey, 2011). Maybe a little too much of the social-issue-psychology angle at loose here? But Ramsey’s extremely talented, no doubt about it, and that Tilda Swinton is pretty good too. (full review 2/3)

At What a Feeling!, a hanging curve in the form of Ron Shelton’s Bull Durham, from 1988.

Gina Carano, Haywire

Links to reviews I wrote for the Herald this week, and etc.

Haywire. “She sprints through alleyways like the ground is on fire.”

Red Tails. “Operates at a TV-movie level.”

Extremely Loud and Incredibly Close. “It’s the contrived premise itself that makes the movie falter.”

On KUOW’s “Weekday,” I talk with Steve Scher about snow movies. Did the show remote, over the phone. We talk about the weather, too. Did I mention it snowed this week in Seattle? The show is here; the movie stuff begins around the 21:20 mark.

At What a Feeling!, the Eighties lookbacks include reviews of Ridley Scott’s Legend and Robert Zemeckis’s Who Framed Roger Rabbit.

See you Saturday afternoon at the Kirkland Library, where I will deliver “Alien Encounters: Sci-Fi Movies and the Cold War Culture of the 1950s,” a talk in the Humanities Washington Speakers Bureau program, at 2 p.m. It’s free.

The Lady in the Lake (Robert Montgomery, 1947). I have now watched this for the second and final time in my life. What sounds like it ought to be a useful approach, as a stylistic device – a Raymond Chandler whodunit seen literally through the eyes of Philip Marlowe, with subjective camera throughout – just does not work. Audrey Totter and Jayne Meadows are the main sources of life.

At What a Feeling!, the original release, severely-cut version of Sergio Leone’s Once Upon a Time in America gets a 1984 review.

At What a Feeling!, enter the frosty world of Michael Apted’s Gorky Park, and see if William Hurt’s accent troubles you as much as it did me in 1983.

Earth vs. the Flying Saucers (Fred F. Sears, 1956). Time to give this another look, just to see whether it might have improved in the last couple of years. Nope. Not only do these two films have saucers and aliens and Washington, D.C., in common, but they even share a few shots. And, of course, the ineffable Hugh Marlowe.

Quicksand (Irving Pichel, 1950). Not bad, if you can squint past the public-domain print and give leeway to characters doing stupid things. Mickey Rooney gets caught in a downward spiral; the ending is fumbled.

At What a Feeling!, consider another Rob Lowe sports movie, as Oxford Blues, which is in fact worse than Youngblood, is revisited.

And: because of snow in Seattle, the Frye Art Museum was closed early and the scheduled showing of The Quince Tree Sun was postponed. Will post the new time as soon as possible.

Unholy quartet: Carnage

Reviews I wrote this week for the Herald, and etc.

Carnage. “The way people stay in their cages, even when the exit is open.”

Contraband. “The first dumb-but-fun movie of 2012.”

The Iron Lady. “The political episodes exist only to demonstrate Thatcher’s toughness.”

El Sicario, Room 164. “The scariest 60 Minutes episode you never saw.”

On KUOW’s “Weekday,” I talk with Steve Scher about political biographies, nudged by the Iron Lady release. The talk is archived here; the movie part rolls in at the 17:55 mark.

See you this evening at the Northwest Film Forum, where we sit down for a “Framing Pictures” conversation at 5 p.m. with NWFF Program Director Adam Sekular and sometime film critic Bruce Reid.

And see you at the Frye Art Museum Sunday afternoon for a DVD screening of Victor Erice’s The Quince Tree Sun, at 2 p.m., free.

At What a Feeling!, a week of 1980s reviews rounds off with Christopher Cain’s (and S.E. Hinton’s and Emilio Estevez’s) That Was Then…This Is Now.

Elgar (Ken Russell, 1962) and The Debussy Film (Ken Russell, 1965). A pair of Russell composer biographies, the first one original and witty and stirring, the latter godawful pretentious foolishness. It must have been exciting to see this stuff the first time around on British TV, though.

At What a Feeling!, we graze across vintage 1980s reviews of Jim Kouf’s Disorganized Crime and Joe Roth’s Revenge of the Nerds II: Nerds in Paradise. I am so, so sorry.