X-Lobster Love (This Week’s Movies)

lovefriendship

Kate Beckinsale: Love & Friendship

Links to my reviews published this week in the Herald and Seattle Weekly, and etc.

X-Men: Apocalypse. “The first 90 minutes are the best superhero stuff we’ve seen this year.”

The Lobster. “Full of specific detail, but coy about saying what the hell is actually going on.”

Alice Through the Looking Glass. “Crams every inch of the screen with gaudy landscapes and wacky creatures.”

Love & Friendship. “A dryly delightful experience.”

And a few picks for the upcoming week at the Seattle International Film Festival. (In case of Herald paywall, Weekly link here.)

And a new Framing Pictures goes live online and also on your TV box (channel 21 in some places in Seattle). The Framers discuss two new film noir restorations, Captain America: Civil War, and the time Sam Peckinpah came to Seattle.

Movie Diary 5/24/2016

Chimes at Midnight (Orson Welles, 1966). Here’s the restoration of Welles’ Falstaff picture, courtesy the Seattle International Film Festival. It can be said that the soundtrack for the dialogue remains a problem, but the film looked very impressive on a big screen.

Wiener-Dog (Todd Solondz, 2016). Stories connected by the presence of a dachshund, including one piece that brings back Dawn Wiener (played here by Greta Gerwig), the main character of Solondz’ Welcome to the Dollhouse. The filmmaker is as merciless as ever, and his ear for the lacerating turn of phrase has gotten even better. Shows at SIFF.

Tiny: The Life of Erin Blackwell (Martin Bell, 2016). A film that rejoins an adolescent from the classic documentary Streetwise (1984). A hard movie to watch, and to write about, for that matter. One thing for sure: The film is no more interested in creating a storyline of reassurance than the original film was. Shows at SIFF.

The Lure (Agnieszka Smoczynska, 2015). From Poland, a musical about two mermaids who walk on the earth for a while. Lively, for certain, and seemingly geared to be a film festival picture. Shows at SIFF.

Movie Diary 5/23/2016

Alice Through the Looking Glass (James Bobin, 2016). Strictly embargoed, they tell me. (full review 5/27)

Paths of the Soul (Zhang Yang, 2015). Tibetans make their 1200-kilometer pilgrimage to Lhasa – walking and kowtowing to the ground every few steps along a highway. It’s actually sort of mesmerizing, as is the digital clarity of the landscape that surrounds the pilgrims. Shows in Seattle International Film Festival.

Ma Ma (Julio Medem, 2015). Committed performances, especially by Penelope Cruz, in this cancer story with some loopy things around the edges. Shows in Seattle International Film Festival.

Women He’s Undressed (Gillian Armstrong, 2015). The story of Orry-Kelly, small-town Aussie lad who became a dress designer to the stars. Not sure why Armstrong felt she had to doll this documentary up with actors and re-creations, as the real story is a good one. Shows in the Seattle International Film Festival.

Nice Bigger Neighbors (This Week’s Links)

niceguys

Ryan Gosling, Russell Crowe: The Nice Guys

Link to my reviews published in this week’s Herald and Seattle Weekly, and etc.

The Nice Guys. “Fast, violent, and doesn’t feel like it came out of the summer-movie food processor.”

Neighbors 2: Sorority Rising. “Holds together a little better than the original.”

A Bigger Splash. “An arty, enjoyable piece of trash.”

A preview piece for the Seattle International Film Festival. And some capsules for titles from the first week of SIFF.

At the Overlook Podcast, Steve Scher and I take a brief look ahead at SIFF, note that Anthony Mann’s Men in War plays tonight at Northwest Film Forum, and think about 2015 titles we’re catching up to. Listen here.

Movie Diary 5/19/2016

Cafe Society (Woody Allen, 2016). The umpteenth offering from Allen starts like gangbusters, gets by on sumptuous Vittorio Storaro photography, and has some one-liners that suggest the Woodman has been been sharpening some pencils lately. Still feels like a collection of sketches, some of them amusing, few of them fully rounded. Nice that some good stuff goes to mostly peripheral characters. It was the opening night movie of the Seattle International Film Festival, which is now officially on.

Movie Diary 5/18/2016

Captain Fantastic (Matt Ross, 2016). Viggo Mortensen in a story about a family living in the wild in Washington state, brought out of Eden by circumstance. A self-satisfied movie that wants to explore ideas that might be beyond its reach. The locations are very homey for those of us in this part of the world. Shows in Seattle International Film Festival.

Movie Diary 5/16/2016

The Nice Guys (Shane Black, 2016). This is about what you’d expect, which is not a terrible thing at all. Russell Crowe and Ryan Gosling get each other, and one moment offers the unexpected perk of Gosling channeling Lou Costello. Like, explicitly. Not as hard as Black’s Kiss Kiss Bang Bang, but still bruising enough. (full review 5/20)

Uncle Howard (Aaron Brookner, 2016). The title refers to Howard Brookner, a film-school classmate of Jim Jarmusch, who did very good documentaries about William S. Burroughs and Robert Wilson and then a pretty bad narrative feature, Bloodhounds of Broadway. Nephew Aaron laid his hands on a huge cache of unused footage (lots about Burroughs’ world in the early 80s); the results are evocative. Shows at the Seattle International Film Festival.

Southside with You (Richard Tanne, 2016). The first date of Barack Obama and Michelle Robinson, rendered in conversational style. An unusual idea for a movie, but sympathetic (duh) and nicely laid-back. Tika Sumpter and Parker Sawyers do fine work as the future White House occupants. Shows at the Seattle International Film Festival.

Weiner (Josh Kriegman, Elyse Steinberg, 2016). A cringe-fest (in a good way), shot during Anthony Weiner’s 2013 run for NYC mayor. Weiner’s sexting scandals return in the midst of the campaign, and the filmmakers are right there during some extremely uncomfortable moments. This question will frequently occur to you: What is Weiner’s wife, Huma Abedin, thinking at this moment? Shows at the Seattle International Film Festival. (full review 6/3)

Microbe and Gasoline (Michel Gondry, 2015). When Gondry works from his own scripts, the whimsy can get thick. So it is in this tale of two lads lighting out for the French countryside in their homemade vehicle. Shows at the Seattle International Film Festival.

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